![]() Hi all I'm filming a documentary for web delivery. I have two questions: Firstly- I'm shooting in PAL DV, editing in FCP, exporting to Quicktime Movie (PAL DV), using Compressor to deinterlace, shrink this video down to web res and change framerate etc, but keeping the bitrate and quality as high as possible. I'm exporting from compressor as Quicktime. ![]() I'm then using Adobe Media Encoder CS4 to drop the bitrate down and convert to an FLV but retaining the framerate and frame size from the Compressor output. Is this a good workflow? Ingest, transcode, create proxies, and output any format you can imagine. This powerful media management tool allows you to work with media in a unified way across applications. Tight integration with Adobe Premiere Pro CC, After Effects CC, and other applications provides a seamless workflow. Best Answer: windows movie maker is a good choice for you. But windows movie maker (media player) can accept AVI and WMV format, so you can try to convert your DVD movie into AVI. I recommend you this leawo free dvd to avi converter. You can just have a try. To create FLV or F4V files for some legacy workflows, keep the previous versions—Adobe Media Encoder CC (7.2) and After Effects CC (12.2.1)—installed alongside the current versions. Then, you can start the previous version of the application whenever you need to transcode or export a file in one of these legacy formats. ![]() Any improvements? Second question- My colleague has exported some interlaced files from Compressor and fed them through my FLV preset in Adobe Media Encoder for use on the web. Do FLV presets in Adobe Media Encoder automatically deinterlace interlaced.MOVs? Or does the FLV basically stay interlaced but badge itself as 'progressive'? I can see field controls for the F4V presets but not FLV. Many thanks Matt. I'm not sure why you're using Adobe Media Encoder at all. Use Compressor and target your output frame size and bit rate. Aiohow.fun is Media search engine and does not host any files, No media files are indexed hosted cached or stored on our server, They are located on soundcloud and Youtube, We only help you to search the link source to the other server. Latest christmas telugu songs free download south mp3 2012 olympics. The media files you download with aiohow.fun must be for time shifting, personal, private, non commercial use only and remove the files after listening. Aiohow.fun is not responsible for third party website content. It is illegal for you to distribute copyrighted files without permission. If one of this file is your intelectual property (copyright infringement) or child pornography / immature sounds, please or email to info[at]aiohow.fun to us. H.264.mov works as Flash 9. This has been the case since December 2007. Nothing else need be done. Make sure you use Compressor's 'Frame Controls' to deinterlace. Q: Will Flash Player 9 Update 3 support non-FLV files? A: Yes, with this update, Flash Player will also support files derived from the standard MPEG-4 container format such as MP4, M4A, MOV, MP4V, 3GP, 3G2 if they contain H.264 video and/or HE-AAC encoded audio. Rather than doing two rounds of compression why not use the source in Adobe Media Encoder then. I guess at issue is the quality of the deinterlacer, and scaling. I wouldn't be surprised if both of those are better in Compressor Frame Controls. The alternative would be using Telestream Episode which has an excellent deinterlacer and does FLV VP6 Flash 8. That's the same VP6 in Adobe Media Encoder. Alas one would have to purchase Episode but the fact it would simply your workflow and avoid having to create a intermediary compression might make it worth it if you're going to be doing this often and quality is important. If you're stuck dealing with your current workflow (and you wouldn't be if you used H.264 Flash 9) you could do something 'odd' like target an output in Compressor to Apple ProRes. I think that might give you better results than a heavily compressed H.264 file. I haven't tested this workflow (because I have Episode and I do use H.264 for all my Flash compression now as well) but it's worth a look see. Okay, after a bit of research into Adobe Media Encoder CS4, I believe the On2 VP6 FLVs are automatically deinterlaced. 'Adobe Media Encoder deinterlaces video before encoding whenever you choose to encode an interlaced source to a noninterlaced output.' Adobe have said: 'Always render a deinterlaced (progressive) version of your video before encoding to FLV.' .but I believe this is referring to Adobe Flash Video Encoder CS3, which actually contains a 'deinterlace' checkbox for VP6 files. I'm guessing they removed this option in Media Encoder CS4 because nobody really needs to generate interlaced FLVs. Does this sound plausible? I have been playing with AME for a couple days now with extremely frustrating results. I was hoping it would be a replacement for my current FLV workflow which is using the Quicktime Macromedia Studio 8 encoder through Cleaner 6.5. So far my opinion is that AME is a very weak attempt at an encoding option. It probably works well enough if you are using files from Premiere, but we use Avid. Adobe Media Encoder CostAME doesn't like the default Avid codec exports and I've had to create a custom export template so that AME even recognizes the video track, and you have to be sure to flag the aspect ratio because the 'resize' feature is a joke. It only lets you resize according to the inherent aspect ratio. If you have an anamorphic file you CAN'T resize it in AME. It simply adds black around your video. ![]() Adobe Media Encoder Cs6But you are asking about deinterlacing, which is also driving me nuts. Thus far, no matter what settings I export my QTs out of Avid, AME does NOT deinterlace the file. Or, if it is doing, it does so very, very poorly so it still looks interlaced to me. I'm still experimenting with other codec exports to see if it can deinterlace anything at all. Over all I am less than impressed with AME. It's speed is great, and it offers 2-pass encoding. But the options and functionality are crippling in my opinion. I'm guessing you would need to watch the Encoding profile to be one of the mobile device compatible category, but you'd also need a decent player which support the MP4 files and has a good h264 decoder. Here is a quote from about the video capabilities of the G1 It turns out that the G1’s capabilities are pretty similar to later generation iPods, iPhones and Zunes.
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